Ilya efimov руководство

Инструкция и руководство для
Ilya Efimov Acoustic Guitar Strum на русском

30 страниц подробных инструкций и пользовательских руководств по эксплуатации

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ILYA EFIMOV ACOUSTIC GUITAR

THE STRUM!

User`s manual

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Особенности

Особенности

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2938 сэмплов, 44,1 Hz 24 bit, стерео
14 слоев велосити для каждой ноты17 ладов на каждой струне и
круговая система Round-robin.
Система распознавания аккордов
Более чем 30 «аккордовых» артикуляций
Ручное исполнение и режим паттерна
250 заготовленных стилей и 70 свободных ячеек
Редакция паттернов
Импортэкспорт стилей, аккордов и пресетов
Редакция аккордов и табулатур
Дабл трэк
Различные FX и шумы
Эффекты: Reverb, EQ, Compressor, Delay, Stereo Width

Библиотека защищена водяными знаками !!!

Каждый покупатель получает свою уникальную копию !

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Введение

Введение

Пользовательский интерфейс

Интерфейс The Strum содержит три закладки (tabs): Strum, Pattern, and FX
Переключение между закладками возможно в нижней части интерфейса.

The Strum tab
На этой закладке отображаются ак-
кордовые позиции, доступно управ-
ление многими функциями и на-
стройками The Strum.

The Pattern Tab
Эта закладка создана для исполь-
зования режима паттерна (Pattern
Mode). На этой странице вы сможе-
те выбирать, загружать, заготовлен-
ные паттерны, а также редактиро-
вать и создавать свои.

The FX Tab
Эта закладка позволяет настраи-
вать звук The Strum, используя раз-
личные эффекты, такие как Reverb,
Compressor, EQ, Delay и Stereo Width.

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Распознавание аккордов

В Strum используется интеллектуальная система распознавания ак-

кордов, позволяющая определить тип аккорда в реальном времени.

The Strum распознает 33 типа аккордов:

major triad

major triad -5

major triad +5

major 7

major -5/7 (major +11)

major +5/7

major +7

major +5/+7

major 7/-9

major +5/7/-9

major 7/+9

major +5/7/+9

major 7/9

major +7/9

major 6

major 6/9

major +7/13 (major 7/6)

major 13 (major +7/6)

major add 9 (without 7)

minor triad

minor triad -5

minor 7

minor +7

minor -5/7

minor -5/+7

minor 7/9

minor +7/9

minor 6

minor 6/9

minor add9

dim 7

sus triad

sus 7

В большинстве случаев не имеет значения какое обращение аккорда вы
исполняете. Однако есть некоторые исключения, когда бас (нижняя нота
аккордоа) должен быть тоникой аккорда. Большинство «железных» устройств
с авто-аккомпанементом («самоиграек») работает подобным образом:
major +5. Нижняя нота всегда будет основным тоном аккорда
minor -5. Нижняя нота всегда будет основным тоном аккорда
major 6. Любые обращения этого аккорда будут распознаваться как
параллельный минорный септаккорд.
minor 6. Любые другие обращения будут распознаваться как
полууменьшенный септаккорд, где основным тонов является секста
аккорда.
dim7. Нижняя нота всегда будет тоникой аккорда
major +7/13. Любое обращение будет распознаваться как параллельным
минорный нонаккорд.

Например
Am7 если внизу C (квинтсекстаккорд) = C6.
Am -5/7 с нижней нотой C = Cm6
Am9 с нижней нотой C = C+7/13

Введение

Введение

Зона распознавания аккордов, Выбор позиции аккорда, Введение

Страница 5

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Зона распознавания аккордов. Chord Zone

Зону распознавания аккордов мы назвали аккордовой зоной.
Диапазон — от

E0

до

D#4

.

Буквенные обозначения исполняемых вами аккордов отображаются в
левой части интерфейса (закладка Strum) под картикой грифа

Выбор позиции аккорда

Существует два способа выбора позиции для любого аккорда:

1. Октавный принцип.
Позиции будут изменяться в зависимости от того в какой октаве
вы играете.
Кнопка “All” включает этот режим.
Кнопки 1,2,3,4 включают или выключают использование той или
иной позиции.

2. Используя клавиши изменения позиций.
Есть четыре клавиши для выбора позиции
1 позиция –

E4

2 позиция –

F4

3 позиция –

G4

4 позиция –

A4

Нажатие всех четырех клавиш одновременно включает
октавный приницп .

Кнопка [#b] позволяет выбрать знак альтерации для отображения в
табулатуре и буквенном обозначении аккорда — диез или бемоль

E0

chord Zone

D#4

1 chord position (E4)
2 chord position (F4)
3 chord position (G4)
4 chord position (A4)

all position octave principle

Введение

Введение

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Вы можете исполнять аккорд используя все струны, либо только 4

верхние или 4 нижние струны. Таким образом доступно 30 вариантов
исполнения для каждого аккорда.

A#4

и

H4

keyswithes используемые в комбинации с любой клавишей

аккордовой артикуляции позволяют исполнять аккордa на 4 нижних
иливерхних струнах соответственно.

Аккордовые артикуляции

Доступны 30 вариантов исполнения каждого аккорда. (10 X 3)

A#4

4 bottom strings

H4

4 top string

C5

fast down stroke

C#5

mute down stroke

D5

slow down stroke

D#5

mute up stroke

E5

slow down stroke

F5

slow up stroke

F#5

stop

G5

slide-up fast 1 semitone

G#5

s

lide-up slow 1 semitone

A5

slide-up fast 2 semitone

A#5

slide-up slow 2 semitone

mute up stroke

mute down stroke

slide-up fast

1 semitone

slide-up fast

2 semitone

fast down stroke

4 нижних струны

4 верхних струны

slow down stroke
slow up stroke

fast up stroke

slide-up slow

2 semitone

slide-up slow

1 semitone

stop

C5

Введение

Введение

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Strum mode.

Перейдите на закладку Strum tab. В главной части интерфейса вы ви-

дите изображение грифа гитары. Во время исполнения (воспроизведение
из секвенсора) расположение пальцев левой руки гитариста будет отобра-
жено зелеными маркерами. Чуть ниже вы сможете увидеть буквенное обо-
значение аккорда и вариант его исполнения (ввеврх или вниз)

В правой части интерфейса вы видите 4 табулатуры — 4 возможных

позиции для взятого аккорда. Выбранная позиция будет подсвечена.

Используя кнопку Patter Mode Strum Mode вы можете переключаться между
этими режимами.

Ручной аккомпанемент

Ручной аккомпанемент

Вы можете имитирровать аккомпанемент двумя способами: исполь-

зуя паттерны (Pattern mode) или используя Strum keyАккордовые артикуля-
ции (Strum mode)

В режиме паттерна [Pattern mode] просто выбирайте паттерн и играй-

те аккорды на миди-клавиатуре, записывайте в секвенсор.

В ручном режиме [Strum mode] вы можете играть и записывать гитар-

ный аккомпанемент, изменяя аккорды (левой рукой) и используя артикуля-
ции (правой рукой). Попробуйте играть ноты внутри аккорда.
Добавляйте ноты к аккордам, используйте голосоведение.

Уникальная система Round-Robin Chord, разработанная нами и ис-

пользуемая в библиотеке позволяет избежать механического повторения.

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Вы можете переключаться между ударами вверхвниз внутри аккор-

да когда вы исполняете ноты аккорда легато.

Например:

Играйте до и ми для исполнения аккордоа До-мажор. Удерживая ноту до нажимайте ми,

затем удерживайте ми, нажимайте до. Пока вы играете легато внутри аккорда, будет

чередоваться вариант исполнения гитарного аккорда: вверх — вниз.

Первый аккорд, сыгранный в аккордовой зоне — всегда удар вниз. Если

аккорд повторяется — удар вверх.

String Keys

Вы можете исполнять арпеджио или пальцевый аккомпанемент ис-

пользуя String Keys на MIDI клавиатуре. Каждая клавиша диапазона String
Keys соответствует той или иной гитарной струне или басовой ноте аккорда.

E

low

high

A D G H E

C6

C#6 Bass 1 (Основной тон аккорда)

струна МИ

D6

D#6 Bass 2 (альтернативный тон, квинта аккорда)

струна ЛЯ

E6

F#

струна РЕ

F6

G# струна СОЛЬ

G6

A# струна СИ

A6

H6

струна МИ

Ручной аккомпанемент

Ручной аккомпанемент

Quick panel, Chord/bass, Picking mode

Bass & chord, Alt. bass, Ручной аккомпанемент

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Quick panel

Quick panel расположенная в нижней части закладки STRUM и позволяет бы-
стро включать некоторые функции и шумы, а также осуществлять доступ к
настройкам движка.

Chord/Bass

Когда опция включена нижняя нота аккорда будет распознаваться независи-
мо от аккорда. Бас будет определен назависимо от аккорда и может быть
любым.
Таким образом вы можете использовать обращения аккордов, движение
баса внутри аккорпанемента и более сложные аккордоы и полиаккорды.

Например,

Если опция ChordBass включена :

E,G,C – C мажорный секстаккорд

G,A,C,F – F/G (F мажор и басом G)

Если опция ChordBass выключена :

E,G,C – C мажор трезвучие (независимо от того что нота E внизу),

G,A,C,F – F 9
Включение и выключение этого режима может потребоваться в реальном
времени, поэтому вы можете включать или выключать этот режим используя
keyswitches:
Включение Chord/Bass –

Gb4

Выключение Chord/Bass –

Ab4

Picking mode

Когда этот режим активен вы только выбираете аккорд в аккордовой зоне.
Для исполнения аккорда используйте аккордовые артикуляции или «клави-
ши- струны» (string keys). В некоторых случаях этот режим может быть очень
удобен.

Bass & Chord

Когда этот режим активен, в аккордовой зоне будет звучать басовая нота
(основной тон) аккорда вместо полного аккорда. Для исполнения аккорда
используйте аккордовые артикуляции или string keys. Это очень удобно для
исполнения аккомпанемента бас-аккорд (например «ум-ца»)

Alt. Bass

Этот режим является продолжением предыдущего и подключает чередова-
ние басовых нот аккорда в аккордовой зоне: тоника — квинта.
Bass & Chord и Alt. Bass modes очень удобны для исполнения аккомпане-
мента в реальном времени.

Ручной аккомпанемент

Ручной аккомпанемент

Опции, Hold, Velo/time

Pick noise, Strum mode, Double, Edit chord, Double track section

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Options page

Double track section

Включает звучание аккомпанемента с техникой записи double-tracking.

Time knob
Контролирует время задержки левого канала.

Опции

Опции

Hold

Эта опция позволяет удерживать аккорд, когда вы снимаете руку с клавиату-
ры. Фактически это работает как педаль Sustein в режиме Strum mode.

Velo/Time

Активирует зависимость скорости воспроизведения аккорда от велосити

Pick Noise

Позволяет добавить звук медиатора.

Strum mode

Кнопка переключения между Strum и Pattern режимами.

Double

Включает звучание аккомпанемента с техникой записи double-tracking.

Option page

Открывает страницу настроек

Edit chord

Открывает панель редакции и создания аккордов (табулатур)

Комментарии

All Right Reserved © Ilya Efimov 2013 Accordion User`s Manual

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Text of Ilya Efimov Accordion Manual · PDF fileAccordion User`s Manual. ILYA EFIMOV ACCORDION ……

All Right Reserved © Ilya Efimov 2012

LP ELECTRIC GUITAR

User`s manual

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Introduction Introduction

Ilya Efimov Sound Production now presents ‘LP Electric Guitar’; a detailed emu-lation of the legendary Les Paul guitar. We have invested much effort into re-creating the nuances of this guitar to make it sound as real as possible. Due to a great number of velocity layers you will be able to achieve a wide dynamic range and an exten-sive palette of guitar colors. The sound of each pickup was recorded separately, so you are able to control the direct signal from the pickups independently. This allows complete sculpting of the sound to your taste. Put the library through dedicated amp modeling software to really hear it come alive. We believe that music created with the help of our library will exceed your expectations and will help you to reach the highest musical standards. Enjoy !

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Features Features

4,07 Gb 3969 samples 44,1 Hz — 24 bit

12 velocity layers for each note23 frets on the each string with a

round-robin algorithm.

Automatic and Manual String Selection

Automatic and manual Left Hand Playing Position Selection

3 modes for automatic search of chord position

14 different articulations

Realistic legato

Realistic glissando

Realistic and LFO vibrato

Repetition strum keys

MIDI Guitar Mode

Feedback

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If you use a typical size of the buffer preloading in Kontakt, this library will use 430 MB of RAM.

The library is protected by the watermark !!! Each user receives a unique copy !

All Right Reserved © Ilya Efimov 2012

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Installation Installation

1. Please go to the download links you received after purchase and download all of the files.

2. Make sure you put all downloaded files into a single folder.

3. Unpack the downloaded files to any folder. Please note that the sample files you downloaded are a multi-part archive, so you do not need to extract every file; you only need to extract the first file that contains ‘part1’ in its name.To extract your files we recommend using Winrar for PC users, or UnrarX or Rar-Expander for the Mac. They’re all free and you can find them here:http://www.rarlab.com/ (for PC users)http://www.unrarx.com/ (for MAC users)http://download.cnet.com/unRAR/3000-2072_4-26159.html (for PC users)http://rar-expander.en.softonic.com/mac (for MAC users) 3.1. Unpack the downloaded IELP*.rar file into the same folder. It is your unique copy.

4. You need to have the full retail version of Kontakt 4.2.4 or later to use this library. The free Kontakt Player does NOT support this library.

5. Open the Kontakt 4 browser (look on the left-hand side of the Kontakt user interface) and click the “Files” tab. Find the library folder, which you extracted earlier, and double click on the Ilya_Efimov_LP_electric_guitar.nki file which should be in that folder. You can use the Quick-Build Database option to allow Kontakt to find and store the location for faster browsing and loading.

You cannot use the “Libraries” tab to “Add Library” for this product.That feature is only available for encoded & locked “Powered-By-Kontakt” libraries.

You cannot use the “Libraries” tab to “Add Library” for this product. Only encoded & locked “Powered-By-Kontakt” libraries.

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Getting startedGetting started

To make full use of the Library we strongly recommend that you read this Manual.

You will learn about manual and automatic string selection, how the various chord modes operate, how to play open strings voicings and much more.

Below we have outlined some of the most important features of the Library:

● Most key-switches depend on the sensitivity of velocity and have two ranges: low and high. You can change the velocity threshold by moving the Threshold knob located within the Key Switch tab on the Options page. ● Default settings are — low velocity: 0 -100 and high velocity: 101 -127.● Any articulation activated manually will only work whilst holding the key-switch.● Throughout the Manual we use the following terms: ○ high velo. The high range of velocity sensitivity . ○ low velo. The low range of velocity sensitivity.

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Graphiс User InterfaceGraphic User Intarface

Guitar view

The main part of the graphic interface depicts a guitar fret board. When you use your MIDI-keyboard the markers display the positions of the guitarist’s left hand fingers. The markers change the colors and letterings, depending on the articulation being used. The active articulation is also displayed in text under the fret board.

Along the fret board you can see the marker of the left hand position colored in orange. It marks four frets for the most comfortable left hand position (playing position) as if you were playing a real guitar.

The Quick info panel at the bottom of the GUI allows you to quickly activate and de-activate options, sound effects and noises

Please refer to the corresponding chapter of this Manual for descriptions of these functions.Note: If you click on an item in the Quick info menu while holding the CTRL-key (control) the corresponding option page will show up.

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Graphiс User InterfaceGraphic User Intarface

Les Paul guitars usually have two pickups, our library provides volume control and tone control for each of them. With the switch located on the visible body of the guitar, you can quickly switch between the pickups.

pickup controller`s valueBRIDGE 0 — 19BOTH 20 — 106NECK 107 — 127

pickup controller`s numberBRIDGE VOLUME CC 81BRIDGE TONE CC 82NECK VOLUME CC 83NECK TONE CC 84

Up postition — Bridge pickupDown position — Neck pickupMiddle positiion — Both pickups.

You can control the position of the switch using the MIDI controller CC 78.

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Graphiс User InterfaceGraphic User Intarface

The Options button opens up a tabbed panel. The various settings of the library are distributed across these tabs.

Open the Options page. Go to Performance tab.

In the performance tab of the Options page user interface settings may be changed.

Knob type. This button changes the colors of control knobs.Drag vertical. This button alters the direction of the mouse movement to change the knob values.Show Quick info panel. This button enables and dis-ables the Quick Info panel on the Guitar View page.

Performace Page

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Manual String SelectionManual String Selection

On a standard piano keyboard every key corresponds to a certain musi-cal note; for each note there exists just one key. However, on a guitar the same note can be played on different strings. The timbre of notes played on different strings and at different positions will vary. In the majority of guitar samples librar-ies the user can not choose a string for playing notes. This restricts the player considerably and hides the richness of timbre. In the present Library you are not restricted to the first four frets, but are able to play all positions on the guitar fret board. In this way you will not lose 80% of the instrument`s music colors.

To make your task easier we have created a complex script that auto-matically chooses the most likely fingering based upon the current playing posi-tion. But we also allow the user complete control over which string and position is played.

Select String Keys

You can choose a string by using A-1, B0, C0, D0, E0, F0 keys. On the NI Kontakt virtual keyboard these keys are colored yellow.

If the note you need is out of range on the string you have selected, then this note will be played on another string automatically within playing posi-tion. Whilst holding the string selection key you can play a one-voice melody line on the selected string.

E A D G H E

key functionF0 select string E lowE0 select string BD0 select string GC0 select string D

B-1 select string AA-1 select string E low

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Manual String SelectionManual String Selection

Playing Position

You can also set the playing position to a desired fret with the “Set posi-tion to fret n” keys (E5 to G#6). On the NI Kontakt virtual keyboard these keys are colored green. The keys correspond to the notes on the E string.

Alternatively you can use the “Shift position” keys located at E5 (high ve-locity) and F5 (high velocity) to shift the position relative to the current position by -1/+1 fret.

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key functionE5 (high velo) shift playing position down — 1 fretF5 (high velo) shift playing position up — 1 fret

E5 — G#6 select playing position

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Automatic String SelectionAutomatic String Selection

The main range of the playing position has 4 frets (4 semitones). We ex-tended this range by one fret so that the string can be changed correctly while you play chromatic scales. If a note cannot be found in the playing position range the algorithm will look for this note on another string within the playing po-sition range. If the note can still not be found within this range the algorithm will look for it on adjacent frets and the playing position will be shifted. The playing position is crucial for the automatic string selection Example:

the playing position is at fret 4 and you play a B2 followed by a D3. Both

notes are within the playing position and both notes will be played on

the G string. If you want the D3 to be played on the B string you have to

use the select string feature or set the playing position to fret 3.

The shifting of the playing position is accompanied by the sound of fingers scratching the strings. You can set the volume and frequency of this effect on the OptionsNoise page using the Fret Noise knob. Note: In the regular mode (Guitar Mode) you cannot play more than six notes simultaneously, nor can you play more than one note on a string at the same time.

Automatic String Selection for chord

When playing chords there a several algorithms at work to help you minimize the use of the select string or set playing position functions. There are two main modes — Chord A and Chord B. Let us discuss each of them more thoroughly.

Chord mode A. Chord notes played (more or less) simultaneously.

This mode is for the identification of chords or of a few notes in the range of a four-fret playing position. When playing a chord on a piano keyboard it is unlikely that you will play all the notes of the chord at exactly the same time. A computer cannot guess which note you are going to play next, so when you play the first note of the chord, the instrument has no way of knowing which play-ing position to choose until you have pressed the remaining notes of the whole chord. It is this discrepancy among notes by a few milliseconds that makes it necessary to set up a small delay to look for the chord. The closer you can make the timing discrepancy between the notes you play, the smaller delay value

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Automatic String SelectionAutomatic String Selection

you will be able to set. To set the time of delays use the setting on OptionsPerformanceChord Mode A. By default there is an optimal delay time – 20 ms. Within this time span it is quite easy to play chords. This delay time also should not interfere with your playing on the MIDI-keyboard. If you do not like using that mode you may turn it off using the button Chord A in Quick info panel or on the OptionPerformance tab.

Chord Mode B. Strum Chord Mode

This mode can be activated in two ways: Automatically

Chord Mode B must be activated on the OptionPerformance tab or on the Quick info panel. In this case the algorithm will try to play each next note on the adjacent string. This mode is handy whilst strumming fast. This algorithm can only work when the time interval between notes fits the set parameters, between time — X and time Y. By default this is set to be from 20 to 70 ms. If the time span between notes is more than time Y or less than time X, then Chord Mode A is enabled (if it is turned on manually).

Automatic activation of the Chord Mode B adds natural interaction and simplicity of operation when using the Library.

Example::Position marker at fret 5. chord mode B active, time set to 70ms. If you play a c3 followed by a D3 slower than the 70ms the algorithm will play both notes on the G string. If you play a c3 followed by a D3 within the 70ms, the algorithm will play the c on the G string and the D on the B string

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Automatic String SelectionAutomatic String Selection

Manually

Chord Mode B is switched on and off using the keyswitch A#-1

In this mode it becomes dependent on the time span between the notes i.e. at any time, the algorithm will try to find any following note on the adjacent string. When this mode is activated you will see the label in the Guitar view.

NOTE: this mode will not work well for playing melodic lines!

Open Strings Chord Mode

The aim of this mode is to use open strings to play chords without changing the playing position. Chord Mode B is switched on and off by the keyswitch C#0.

When the mode is active you will see the label in the Guitar view and you can then use white keys from A-1 to F0 as open strings. This works well in cases where some notes are in unison with an open string.If the velocity of these keys equals 127, they will then act as a Manual String Se-lection key-switch. In this case no sound will be produced. We don’t recommend you turning off both Chord Mode-A and Chord Mode-B if you are going to use chords or intervals. Notice that when chords posi-tion identification modes are turned off, the simpler algorithm of string selection cannot always find a suitable layout of notes for a desired chord or interval and some notes may be lost.

key functionA#-1 (high velo) Turn on Chord Mode BA#-1 (low velo) Turn off Chord Mode B

key functionC#0 (high velo) Turn on Open Strings Chord Mode BC#0 (low velo) Turn off Open Strings Chord Mode B

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Automatic String SelectionAutomatic String Selection

key functionD#0 (high velo) Turn On Open String ModeD#0 (low velo) Turn Off Open String Mode

Open Strings Mode

You can also play on the open strings without changing the playing posi-tion. To do this turn on Open String Mode. Again, when the mode is activated you can see the label in the Guitar view.

In this mode you can use white keys from A-1 to F0 as open strings.

This mode operates similar to Open Strings Chord Mode, but it is not the same. Specifically; in the Open Strings mode the strings will change depending on the playing position, but in the Chord Open Strings Mode the algorithm tries to find each following note on the adjacent string, which interferes with the logical determination of the playing position for playing melodic lines.

This Open String Mode will not influence the playing position when you use white keys as open strings.

The Open String Mode is switched on and off by the keyswitch D#0

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We recommend that you don’t try playing a melody line using Chord Mode B or Open Strings Chord Mode (via the key-switch). In this case your playing position most probably will be wrong. You may hear all the correct notes but they will likely sound unnatural because of the incorrect determination of playing position for the melody line when in chord mode.

These modes are strictly for chord playing. When the chord modes are turned on manually this will be indicated in the Guitar view. Please, watch this!

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Keyboard ModeKeyboard Mode

Keyboard Mode

Keyboard mode is the simplest mode to use the library in. The Automatic String Selection algorithm is turned off in this mode. This mode restricts playing to the first four guitar frets, as is popular with other famous guitar libraries.

Switching from Keyboard mode to Guitar mode is achieved on the Quick info panel or on the OptionsPerformances page. Perform.Mode menu.

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ArticulationsArticulations

Legato Mode

Legato on the guitar is first and foremost a technique of playing notes by the left hand. Up legato is called hammer-on, down legato is called pull-off.In the Legato Mode with overlapped notes either hammer-on or pull-off articula-tions will be activated depending on the direction of the movement.

The range for the legato detection can be set on the OptionsPerformance page

key functionD#1 (high velo) Turn On Legato ModeD#1 (low velo) Turn Off Legato ModeA0 (hold key) Turn On Legato Mode

If you do not hear legato then the algorithm has changed a string. To avoid this you can alter the playing position or select a string with the help of select strings keys.

If Auto legato is on but you want a series of notes to be played with the non vibrato articulation: instead of turning off auto legato simply hold the non vibrato key switch while you play these notes. When Legato mode is on you will see it displayed in the Guitar view.

You can also turn on a short-term Legato mode by holding the A0 key-switch down.

.

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ArticulationsArticulations

Glissando

The Glissando articulation on a guitar is not just played as an effect but as a device for melodic ornamentation. We have recorded all possible versions for each string starting from each fret within an octave range up and down the fretboard and in different tempi. You do not have to manually switch between glissando versions, the algorithm will select it for you when you’re using it.

Gliss Mode is on when you hold the key C#1 (Gliss key).

Glissando can, obviously, only be played on a single string. If you do not hear glissando while holding the Gliss Key it means that glissando is impossible, i.e. your target note doesn’t exist on that string Glissando speed depends on the velocity of the target note to which glissando is heading. The lower the velocity value is, the slower is the speed.

min – 60 BPM, max – 200 BMP

The target note can trigger in two ways.1. If you would like to hear a target note with an active attack (as if the guitarist picked the string after glissando was over) – release the starting note of glissando before it is over.2. If you would like to hear a target note without any attack (as if the guitarist did not play with his right hand) – hold the starting note of glissando until it is reaches the target note.

The volume of glissando depends on the volume of the starting note and is connected with how long the starting note lasts before glissando starts.For controlling the volume of glissando (or any other articulations) see OptionsArt.Volume page.

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ArticulationsArticulations

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Repetition Keys

Repetition Keys C0 and D0 rrepeat the last played note or chord. If, prior to pressing the Repetition Key, you hold a key-switch to trigger an articulation the Repetition Key will repeat the corresponding articulation. The Repetition Key repeats any articulation when a key-switch is held.

When a chord is repeated you hear a small delay between notes. This simulates a guitar strumming playing technique.

The delay time (strum time) can be controlled on the page OptionsPerformances, using the Strum time knob. By default the strum

key functionC1 simulates down strum D1 simulates un strum

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ArticulationsArticulations

We have attempted to automate as many playing techniques as possible to minimize being distracted by control functions, but the computer is just your helper and you should really try to choose articulations yourself depending on what you are attempting to do to achieve the best results. To avoid burdening you with unnecessary information, we won’t be going into each guitar articulation in detail as you will surely be aware of most of them already.

All the articulations described in this Chapter are active only when you hold key-switch!

As soon as you release key-switch the Sustain articulation is activated. The selection of an articulation is indicated by a graphical label, which appears just below the fretboard. Each articulation also has its own graphic marker displayed on the fretboard whilst playing the MIDI-keyboard.

Slide-up

The Library has 4 versions of this articulation. You can choose one of the two intervals, each of which was recorded in two tempi.

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key functionG#0 (low velo) Slow slide up on the 1 semitoneG#0 (high velo) Fast slide up on the 1 semitoneA#0 (low velo) Slow slide up on the 2 semitoneA#0 (high velo) Fast slide up on the 2 semitone

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ArticulationsArticulations

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Vibrato

The Vibrato articulation is the only one that we will discuss in more detail.The activation of vibrato can be done in two ways. With the help of Modulation Wheel (CC1) and with the help of the keyswitch G0 (low velo) We have produced two versions of vibrato. You can choose which one

key functionG1 (low velo) Turn on natural vibratoCC1 (Modulation) X-Fade between realistic vibrato and sustainCC1 (Modulation) LFO vibrato

Realistic vibrato. You can get live vibrato in two ways.

♪ Before playing the note press and hold G0 (low velo). Using the key-switch you can hear live vibrato independently of what mode you have chosen. This is the typical way of activating articulations for this Library. This approach will not work if you want to trigger vibrato after an articula-tion.

♪ 2. Cross-fade Mode. This is triggered by changing the value of Modulation wheel (CC1). Using Modulation wheel (CC1) you can hear live vibrato but only if Cross-fade Mode is selected and button Vib=LFO in the Quick info panel is set to off. This mode is helpful when you need to add vibrato after a note has been played.

you would prefer to use. Switching between the versions is done in the OptionsPerformance. Vibrato Mode menu. You can also change a version of vibrato by the button Vib=LFO in the Quick info panel (When the button is on, the LFO Mode is on).

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ArticulationsArticulations

.

Mute and X-Note

The Mute articulation has 8 layers of velocity for each note and a Round-Robin function.

Flageolets

Flageolets are divided into natural flageolets and artificial ones. You can choose either of them.

The natural flageolet has 2 layers of velocity and has 4 sounds for each string.

The artificial flageolet can be played on any fret.

key functionB0 (low velo) MuteB0 (high velo) X-Note

key functionF#0 (low velo) Natural flageoletF#0 (high velo) Artificial flageolet

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LFO vibrato. Is activated with the Modulation wheel (CC1) if Vibrato mode is set to LFO.

You can control:

vibrato level MIDI-controller CC1 (Mod whell)

vibrato intensity MIDI-controller CC8

vibrato speed (freq) MIDI-controller CC9

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ArticulationsArticulations

Articulations volume

We have set, by default, what we believe to be the most optimal volume levels for each articulation. But you can edit the volume of each articulation if you wish. Go to page OptionsArt.Vol. on the left-hand side of this page you will see a drop-down articulation menu. Choose the articulation you would like to change and set the volume using the control knob.

On the right-hand side of the OptionsArt.Vol page you will see a table containing information about the individual volumes of articulations.

Articulations Volume

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FX and NoisesFX and Noises

To re-create a believable live guitar sound and simulate live performance the Library has a few FX sounds. Some of them are automated, the others FX sounds can be added at your wish. Read on about it below.

Noises switched automatically

Some noises generally occur whilst playing guitar. Here are a few types of noises.

Release This sound plays every time you release the key or the sustain pedal (CC64). You can set the time from the attack of the last played note during which the Release volume is decreased.

Fret NoiseThis is the commonly heard sound of Scratching of the guitarist’s left hand fingers along the strings. This FX is triggered when playing position is changed. Scratch noises have been recorded from every string for realism. You can also control the volume of this noise and the frequency of its appearance with the help of controlling knobs which were mentioned above.

Pick NoiseYou can choose to add the pick noise (click) to the attack of the basic sound.

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Controlling these noises is achieved using OptionsNoise.The buttons carrying the names of noises turn them on and off. The control knobs are below their respective buttons.Volume. Noise volume controlFrequency. Frequency of random noises appearances. Time. . Counts the time from the attack of the last produced note during which the level of noise decreases. Decrease. This parameter determines the number of dBs by which the noise level decreases during the time determined in the time parameter. This parameter depends on Time linearly.

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FX and NoisesFX and Noises

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Manually added FXs

You can make use of other FXs which are manually activated via key-switch. When you turn on these FX the note velocity values are ignored.

Feedback

To trigger the feedback FX press the D#5 key whilst any note is held.There are two parameters to control this effect.

Time: The time it takes for the note to produce feedback.Interval: The melodic interval for feedback from the last played note.

key function rangeC7 Scratch FX E1 — F#3

D#5 feedback —

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EffectsEffects

Effects

You can further produce the sound from this Library using integrated ef-fects — Reverb, Delay, Chorus, Flanger, Phaser, Equalizer, Compressor and Cabi-net FX. You can control effects on the OptionsEffects section.You can quickly turn these effects off and on via the Quick info panel by pressing the corresponding button. Remember that the fast access to the Options page is achieved by click-ing on the desired button whilst holding down Ctrl Control on the keyboard.

Go to OptionEffects page. To switch between effects use the Delay, Chorus, Flanger, Phaser, Equalizer, Compressor and Cabinet buttons. To turn on the effect you need on the OptionsEffects page press one of the round buttons situated to the left of the buttons that switch between effects.

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EffectsEffects

ReverbTo simulate realistic ambiences we use Convolution Reverb with our own Impulses Responses.You will see 10 reverberation control knobs

Drop-down menu situated to the right from the reverb button allows to choose Send. Controls the level of the signal being sent to be processed to the reverb.Return. the level of the signal being returned from the reverb.Pre Delay. Introduces a small delay between the direct signal and reverbed signal.IR Size (Early). Artificially squeezes or widens the impulse sample in time for early reverberations. IR Size (Late). Artificially squeezes or widens the impulse sample in time for late reverberations.High Pass (Early). Determines cutoff frequency below which the value of signal frequency will be diminished for early reverberations.High Pass (Late). Determines cutoff frequency below which the value of signal frequency will be diminished for late reverberations.Low Pass (Early). Determines cutoff frequency above which the value of signal frequency will be diminished for early reverberations.Low Pass (Late). Determines cutoff frequency above which the value of signal frequency will be diminished for early reverberations.

Reverb

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EffectsEffects

Delay

EqualizerUsing a 3-band equalizer you can change the frequency range of the guitar sound within 18 dB. Three control parameters are available for each frequency band

Time. Delay time in millisecondsDamp. Damps high frequencies of the delayed signalPan. ЗIf more then 0 there is a pan effect, which ping-pongs repetition signal between left and right channels.Feedback. Sends a portion of the output back into the input of the delay line, which created repeating echoesSend. Controls the level of the signal being sent to be processed to the delay.Return. Controls the level of the signal being returned from the delay.

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EQ

Delay

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EffectsEffects

Band 1, Band2, Band3. This are the 3 bands available for being changed.Frequency. Chooses the frequency to be changed.Bandwith. Sets the bandwidth to be boosted or cutoff.Gain. Controls the amount of boost or cutoff.

Compressor

Flanger

Depth. The amount of LFO modulation. Speed. The LFO speed. Phase. Imparts an LFO phase difference between the left and the right stereo channel. This can considerably increase the width of the output signal’s stereo base. Colour. Adjusts the delay line’s range of operation and, consequently, the color of the flanging effect. Small values result in short modulated delay times, making the Flanger sound more like a phaser. Feedback. Feeds a certain amount of the delayed signal back into the module’s input, thereby creating a more pronounced effect.

Threshold. Level at wich the compression start.Ratio. Intensity of the compressionAttack. Starttime of the compression.Release. Time of the release after compression.Output. Volume of the compressed signal.

EQ

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EffectsEffects

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Phaser

Depth. The amount of LFO modulation. Higher values cause the phaser effect to sweep over a wider frequency range. Speed. The LFO modulation speed. Phase. Imparts an LFO phase difference between the left and the right stereo channel. This can considerably increase the width of the output signal’s stereo base. Feedback. This control adjusts the emphasis of the peaks and notches that the comb filter effect imparts on the signal. Send. Controls the level of the signal being sent to be processed to the phaser. Return. Controls the level of the signal being returned from the phaser.

Chorus

Depth. Adjusts the range of modulated detuning. Higher values give a more pronounced chorusing effect. Speed. Adjusts the LFO speed. Phase. Imparts an LFO phase difference between the left and the right stereo channel. This can considerably increase the width of the output signal’s stereo base. Send. Controls the level of the signal being sent to be processed to the chorus. Return. Controls the level of the signal being returned from the chorus.

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Global presetsGlobal presets

Global presets

The drop-down menu is visible in the Guitar view, the OptionsEffects page, the OptionsPerformance page and the OptionsNoise page. It consists of 10 empty presets.. To load the presets choose a Preset on the drop-down menu and press the LOAD button. To save presets choose a preset on the drop-down menu and press the SAVE button.

Only performance mode, legato range, strum time and velocity sensitivity data are not be saved in the global presets.

Preset`s menu on the Option page

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EffectsEffects

CabinetThis module simulates the sound of a guitar cabinet recorded through a microphone.

Type (dropdown menu). Allows you to choose the simulated cabinet mode. Size. Adjusts the size of the simulated cabinet. Larger cabinets tend to have a more pronounced bass response, while smaller cabinets can sound thin and tinny. Air. Controls the level of early reflections in the room response, adding a sense of space to the sound. Treble. Boosts or cuts the level of the higher frequencies. Bass. Boosts or cuts the level of the lower frequencies. Output. Adjusts the module’s output level.

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Extra capabilatiesExtra capabilaties

Controllers and KeySwitches reassignments

Controllers reassignments Your sequencer can control any function of the Library. The whole de-fault list of key-switches and controllers sits in the table which is in the end of this Manual. It is also replicated in one document. All the key-switches can be reassigned according to taste and you can also assign any MIDI-controller to any parameter of the Library. To see the mapping of controllers for each parameter or to reassign them go to the page

OptionsCC. On the left-hand side of the page you will see two drop-down menus – Function and CC. Once you have selected the function, determine the control-ler number that you would like to control the given function. In the right side of the page there is a table with the list of the controllers that have been assigned already. Any changes that you make will be displayed in this table.

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Extra capabilatiesExtra capabilaties

KeySwitches reassignments The reassignment of key-switches is similar to controller reassignment. To reassign key-switches use page OptionKeySwitch. In the Function menu choose an articulation or other function which is

available in this menu and reassign it a new key-switch from the Key menu.

On the right-hand side of the OptionsKeyswitch page there is a table displaying the keyswitches already assigned and all the changes that you have made. To save your changes and use them in the future you have to resave Patch. You can still return to the default controller settings, even after resaved a patch, by pressing the Reset button which is in the OptionsCC. There is a similar Reset button in the OptionKeyswitch.

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Extra capabilatiesExtra capabilaties

AttackPick

To change the attack in a sound use CC4 controller. By increasing the value of CC4, you will eventually remove the attack of the string caused by the pick. You can also set a value of the CC4 (AttackPick) on the OptionPerfomance page. The sound remains unchanged when the value of this parameter equals 0.

Velocity intensity

Go to the OptionsPerformance page. The Velo intensity knob. This parameter changes the velocity sensitivity threshold of the whole Library.

Pitch band

Go to the OptionsPerformance page. The Pitch bend knob. This parameter defines the range of the pitch bend.

Stationary bendThis feature is linked to a MIDI-controller (CC 5 by default, but you can use the CC setup to change this)• If the selected CC is <= 64 the pitch bend will be normal.• If the selected CC is > 64 and you play 2 notes only the lower note will be bend.

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Extra capabilatiesExtra capabilaties

MIDI mode. Using MIDI Guitar.

Some users prefer to use MIDI Guitar instead of MIDI Keyboard. In order for a MIDI Guitar to function correctly you need to switch the MIDI Mode.

This can be achieved two ways.1. On the main page the option button for string modes toggles between keyboard mode, guitar mode and midi mode. You need to choose the MIDI Mode.2. Go to the OptionsPerformance page. In the Performance mode menu choose Midi Mode.If Midi mode is selected 6 dropdowns will pop up where you can select the midi channel for each string

Notes: If you change a KS assignment (go to KeySwitches reassignments chapter) you also have to change the CC_to_note accordingly (CC to Note tab). In addition you have to make sure that you don’t use a CC which is already in use for other purpose.The CC_to_note script transforms the CC value of a CC to velocity.If a CC value is more than 0 it will turn on a KS. Since the KS are velocity sensitive you will have to program the pedal board to match the velocity threshold.If a CC value is 0 it will turn off a KS.

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KeyswitchesKeyswitches

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FXs

playing position

playing positionshift keys

stringsselection

keys

naturalvibrato

legato onlegato off

fast slide up 2slow slide up 2

artificial flageoletnatural flageolet

open strings onopen strings off

open strings chord mode onopen strings chord mode off

chord mode B onchord mode B off

fast slide up slow slide up 1

legatokey

mutex-note

repetition key up strum

gliss key

repetition key down strum

feedback key

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keyswitcheskeyswitches

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key functionA-1 select string E low

A#-1 (high velo) chord mode B ONA#-1 (low velo) chord mode B OFF

B-1 select string AC0 select string D

C#0 (high velo) open strings chord mode ONC#0 (low velo) open strings chord mode OFF

D0 select string GD#0 (high velo) open strings OND#0 (low velo) open strings OFF

E0 select string BF0 select string E high

F#0 (high velo) artificial flageoletF#0 (low velo) natural flageoletG0 (low velo) vibrato

G#0 (high velo) slow slide-up 1 semitone G#0 (low velo) fast slide-up 1 semitone

A0 (hold) legato mode A#0 (high velo) slow slide-up 2 semitoneA#0 (low velo) fast slide-up 2 semitoneB0 (high velo) x-noteB0 (low velo) mute

C1 repetition key down strumC#1 gliss keyD1 repetition key down strum

D#1 (high velo) legato mode OND#1 (low velo) legato mode OFFE5 (high velo) up shift playing positionF5 (high velo) down shift playing position

E5 — H6 select playing positionE5 (low velo) select 1st playing positionF5 (low velo) select 2nd playing position

C7 Scratch FXs

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All Right Reserved © Ilya Efimov 2012

cc number functioncc1 vibratocc2 vibrato modecc3 keyswitch thresholdcc4 pitchbend rangecc5 stationary bend offcc6 attack pickcc7 channel volumecc8 LFO intencitycc9 LFO frquencycc10 pancc11 expressioncc14 open string mode onoffcc15 autolegato mode onoffcc16 reverb onoffcc17 delay onoffcc18 EQ onoffcc19 compressor onoffcc20 performance modecc21 chord mode A onoffcc22 chord mode A timecc23 chord mode B onoffcc24 chord mode B timecc25 chord mode onoffcc26 open chord mode onoffcc29 legato rangecc30 strum timecc31 velocity sensitivitycc33 IR selectcc34 reverb sendcc35 reverb pre-delaycc36 reverb returncc37 IR size earlycc38 IR size latecc39 IR low pass earlycc40 IR low pass latecc41 IR high pass earlycc42 IR high pass latecc43 delay time

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cc number functioncc44 delay dampcc45 delay sendcc46 delay pancc47 delay feedbackcc48 delay returncc49 EQ frequency band 1cc50 EQ frequency band 2cc51 EQ frequency band 3cc52 EQ bandwidth band 1cc53 EQ bandwidth band 2cc54 EQ bandwidth band 3cc55 EQ gain band 1cc56 EQ gain band 2cc57 EQ gain band 2cc58 compressor thresholdcc59 compressor ratiocc60 compressor outputcc61 compressor attackcc62 compressor releasecc67 fret noise on / offcc68 fret noise volumecc69 fret noise frequencycc70 release on / offcc71 release volumecc72 release frequencycc73 release timecc74 release decreasecc75 pick noise onoffcc76 pick noise volumecc77 pick noise frequencycc78 pickup switchcc81 neck pickup volumecc82 neck pickup tonecc83 bridge pickup volumecc84 bridge pickup tonecc85 feedback timecc86 feedback interval

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cc number functioncc87 chorus depthcc88 chorus speedcc89 chorus phasecc90 chorus sendcc91 chorus returncc92 flanger depthcc93 flanger speedcc94 flanger phasecc95 flanger colorcc96 flanger feedbackcc97 flanger sendcc98 flanger returncc99 phaser depth

cc100 phaser speedcc101 phaser phasecc102 phaser feedbackcc103 phaser sendcc104 phaser returncc105 cabinet on / offcc106 cabinet typecc107 cabinet sizecc108 cabinet aircc109 cabinet treblecc110 cabinet basscc111 cabinet output

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CreditsCredits

Credits

Producer by Ilya EfimovScript by Günter Hirscher

GUI design by Günter Hirscher and Ilya EfimovGuitar by Alex Smirnov

Manual design by Ilya Efimov

Special thanks to:

Igor DurachkinGünter Hirscher

Alex SmirnovStu Kennedy

Maxim RybakovAlexey Tikhonov

You_RockVera CheportuzovaAnatoly Machulenko

Alena SaburovaOlga Filippova

Elena Moiseeva

All Right Reserved © Ilya Efimov 2012