Martin mac 500 инструкция по эксплуатации на русском

MAC 500/E

user manual

P/N 35000016, Rev. E

3

1.Connect the controller’s data output to the MAC 500/E’s data input. For a

•DMX controller with 5-pin output: use a cable with 5-pin male and 3-pin female connectors such as P/N 11820005. Pins 4 and 5 are not used.

•DMX controller with 3-pin output: use a cable with 3-pin male and female connectors such as the one supplied.

•Martin RS-485 Protocol controller: use a phase-reversing cable, such as P/N 11820006, with 3- pin male and female connectors or reconfigure the XLR output.

2.Continue the link: connect the output of the fixture closest to the controller to the input of the next fixture. Use a phase-reversing cable when connecting a DMX-standard (pin 3 +) device to a Martin-standard (pin 3 -) device.

3.Insert a male 120 Ω XLR termination plug in the output of the last fixture on the link.

s e c t i o n 3

O P E R A T I O N

This section describes the MAC 500/E’s controllable effects and the options for customizing them for your application. Option selection is described in the next section.

M a r t i n R S — 4 8 5 c o n t r o l

The MAC 500/E may be controlled with the Martin 3032 controller with version 2.04 or later software. To respond to the controller, either the protocol setting (PSET) must be set to Martin (MART) as described in the previous section, or automatic protocol detection (SPEC/AUTO) must be enabled. If automatic protocol detection is enabled, send a dummy command and wait 1 second to allow the fixture to respond before sending real commands.

D M X — 5 1 2 c o n t r o l

The MAC 500/E may be operated with USITT DMX512 controllers in 4 modes that combine tracking or tracking/vector movement with 8-bit or 16-bit pan/tilt resolution.

Tr a c k i n g c o n t r o l

Tracking is available in all 4 DMX modes. With tracking control, the controller calculates the positions along the path between an effect’s starting point and it’s ending point. It uses the fade time to calculate the change (delta) of each update or refresh, which the fixture “tracks.” For smooth movement with any fade time, the MAC 500/E has a filter algorithm that looks at several position updates (samples), and calculates the ideal speed.

This algorithm is adjustable to compensate for controllers that calculate position changes unevenly. In most cases the default settings work well.

If movement is not satisfactory there are 2 parameters that can be adjusted. The first is the calculation method used and is selected under SPEC/TRAC/MOdE. MOd1, the default, calculates speed based on the absolute value of the change in DMX; it is the best choice with controllers that calculate intermediate positions that are close to the line of travel. MOd2 uses the real value of the DMX delta to calculate speed and is better if the intermediate positions stray significantly from the line of travel.

The second parameter is the number of position updates used to calculate speed. The level is adjustable between 1 and 10 under SPEC/TRAC/CAL. Increasing the number of samples increases the distance over which speed is calculated, making movement smoother but less responsive to sudden changes.

The ideal settings for both parameters will vary from controller to controller: experiment for best results. The real value algorithm (MOd2) is recommended when using the MAC 500/E with the Martin Lighting Director system.

Ve c t o r c o n t r o l

With vector control, available in DMX modes 3 and 4, the fixture is given just 1 position — the end position — and a speed, which is set on a separate channel. )RU VPRRWK PRYHPHQW WKH IDGH WLPH PXVW EH VHW WR L H WKH HIIHFW ³EXPSV´ RU ³VQDSV´ IURP RQH SRVLWLRQ WR WKH QH[W With controllers that do not have programmable fade times, vector control

provides a way to set speed. Because the end point and speed are known from the beginning, vector control results in smooth movement regardless the fade time or the controller’s processing power.

The speed channels allow vector control to be turned off, resulting in tracking control. In addition, they offer a “blackout speed,” described below, and overrides of the PTSP (pan/tilt speed), MOdE (studio mode), and SCUT (shortcuts) personality settings.

When blackout speed is enabled, effects move at full speed. The dimmer/shutter closes while the effects move to make the transition invisible. Dimmer/shutter strobe and pulse effects, however, override the blackout command.

8 — b i t v e r s u s 1 6 — b i t p a n / t i l t r e s o l u t i o n

With 8-bit pan/tilt resolution, the pan and tilt are divided into 256 equal increments. Finer position control and smoother movement is provided in the 16-bit modes, which divide the full pan range into 32,768 increments and the full tilt range into 45,567 increments.

C o n t r o l l a b l e e f f e c t s

All moving effects are reset to a “home” position when the fixture is powered up. The fixture can also be reset via DMX if DMX reset (SPEC/dRES) is enabled. There is also a combination of DMX values that allows you to reset the MAC 500/E even if this feature is disabled; see the DMX protocol for details.

An on-the-fly position correction system monitors the position of the color wheels, fixed-gobo wheel, and rotating gobos. If an error is detected, the shutter closes and the effect is reset to its home position. Normal operation resumes immediately thereafter. This feature can be disabled by setting effects feedback (SPEC/EFFb) to OFF.

General operation may be optimized for speed or quietness with the studio mode setting (SPEC/MOdE). The menu setting may be overridden via DMX using the effects speed channel in DMX modes 3 and 4.

L a m p

The MAC 500/E can be set to automatically strike the lamp within 90 seconds of being powered on by setting the Automatic Lamp On (SPEC/ALON) personality to ON. A delay determined by the fixture address prevents all lamps from striking at the same time.

If Automatic Lamp On is set to off (default), the lamp remains off until a “lamp on” command is sent from the controller. A peak of electric current that can be many times the operating current is drawn for an instant when striking the lamp: striking many lamps at once may cause a voltage drop large enough to prevent lamps from striking or trip the main circuit breaker. Avoid this by programming a “lamp on” sequence that strikes lamps one at a time at 5 second intervals.

Power to the lamp can be turned off from the controller if the DMX Lamp Off (SPEC/dLOF) feature is enabled.

There is also a combination of DMX values that allows you to turn off the lamp even if this feature is disabled; see the DMX protocol. %H FDUHIXO: it is not possible to strike the lamp within 8 minutes of having switched it off. The MAC

500/E will store a “lamp on” command and strike the lamp automatically when the 8 minutes have elapsed.

With the MAC 500 E, lamp power falls to 400 watts for cooler operation and longer lamp life when the shutter is closed for 10 seconds. Power instantly returns to full when the shutter opens. Reduced power mode can also be forced — with the shutter open — by setting channel 1 to a DMX value from 73 to 79.

P a n a n d t i l t

The moving head pans 440° and tilts 306°. Movement may be optimized for speed by setting the pan/tilt speed (PTSP) personality to FAST, or for smoothness by setting it to SLOW. The setting may be overridden on the speed channel in vector mode. Setting the movement speed to “blackout” in vector mode causes the shutter to black out the light while the mirror is moving. The pan and tilt channels (DMX) can be inverted and/or swapped for convenience using the pan/tilt (PATI) menu.

C o l o r w h e e l s

The MAC 500/E has 2 9-position-plus-open color wheels, yielding a total of 100 possible combinations. The 4 temperature correction filters and 14 dichroic colors combine in 67 useful ways that can be called on 1 DMX channel. Both wheels can be scrolled, allowing for split color effects, snapped to fixed positions, and continuously rotated in both directions at different speeds. The 67 colors can be called randomly on DMX channel 4.

The Shortcuts (SPEC/SCUT) setting determines whether the wheels take the shortest path to the next position or turn in one direction only. The setting may be overridden on the speed channel in vector mode. Setting the color speed to “blackout” in vector mode causes the shutter to black out the light while the wheels are moving.

F o c u s

The beam may be focused from 2 meters (6.5 feet) to infinity. The beam angle with the standard lenses is 17°. An optional 23.5° wide-angle lens set is available as well. See “Accessories” on page 35.

F i x e d ( s t a t i c ) g o b o s

There are 2 operating modes available for the fixed-gobo wheel, which has 9 positions for metal gobos plus an open position. In “fixed” mode ( SPEC/gMOd/FIX), the wheel steps between fixed positions and shakes at variable speeds. In “scroll” mode ( SPEC/gMOd/SCRL), the wheel scrolls continuously, shakes at 1 speed, and rotates in 2 directions at variable speed.

Setting the fixed-gobo speed to “blackout” in vector mode causes the shutter to black out the light while the wheel turns from one position to another.

The Shortcuts (SPEC/SCUT) setting determines whether the gobo wheel takes the shortest path to the next position or turns in one direction only. The setting may be overridden on the speed channel in vector mode.

R o t a t i n g g o b o s

The MAC 500/E has 5 rotating positions for glass or metal gobos. Gobos may be rotated in both directions at varying speeds or indexed to any position. The function and gobo are selected on channel 5 and the velocity or index position are selected on channel 6. Setting the rotating-gobo speed to “blackout” in vector mode causes the shutter to black out the light while the wheel turns from one position to another and, if indexing is selected, while the gobo rotates between positions.

To change the gobos, see “Gobo orientation and positions” on page 17.

I r i s

The iris diameter ranges from 100 to 15 percent open. There are 6 variable/random pulsating iris effects callable on channel 9. These can be disabled by switching DMX Macros (SPEC/dMAC) off. The iris reflection reduction setting (SPEC/IRR) closes the iris slightly from full open to eliminate a halo effect seen in very early units.

R o t a t i n g p r i s m / v a r i a b l e f r o s t

The 3-facet prism can rotate in both directions at varying speeds. There are 8 preprogrammed macros that combine the prism with rotating gobos on channel 10. These can be disabled by switching DMX Macros (SPEC/dMAC) off. Setting the prism speed to “blackout” in vector mode causes the shutter to black out the light while the prism moves in and out.

An optional frost filter may be installed in place of the rotating prism to provide a variable frost effect. If the frost filter is installed, the fixture type personality (SPEC / FTYP) must be set to “ FROS” to enable the frost variation of the protocol.

D i m m e r / s h u t t e r

The mechanical dimmer/shutter system provides smooth, high-resolution 100 percent dimming, “instant” open and blackout, random and variable strobe effects up to 23 Hz, and random and variable pulses in which the dimmer snaps open and slowly dims or snaps closed and slowly opens. The pulse and random strobe effects can be disabled by switching DMX Macros (SPEC/dMAC) off.

The Dimmer Mode (SPEC/dMOd) setting allows you to select between linear or simulated tungsten fade curves. The fade time must be 0 to simulate tungsten dimming.

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